Baş karakter William diyor ki : " Annem ile ilgili hatırladığım ilk
hatıra 4-5 yaşlarımdaydı. yemek hazır olduğundan bana ve iki erkek
kardeşime şöyle seslenmişti: ' Çocuklar ve William, haydi masaya!"
Onunla telefonda son konuşmamızda, vedalaşırken şu cümleyi kurmuştu:
"Öpüyorum seni tatlım" İşte annemle arızalı ve yanlış anlaşılmalar
üzerine kurulu ilişkimiz bundan ibaretti.
Filmin senaristliğini ve yönetmenliğini üstlenen Guillaume Gallienne aynı zamanda kadroda da yer alıyor.
Mrs. Gallienne, a rather temperamental upper middle-class lady, has three children, two of whom she considers as her sons and another she calls Guillaume. Logically indeed, the latter teenage creature does not picture himself as a boy, rather as a girl or at best as a homosexual. But how can a mother act in such an objectionable way? And why? Through a series of painful chain of experiences, Guillaume will discover little by little who he is actually and will manage to break free from her pernicious influence.
Filmin senaristliğini ve yönetmenliğini üstlenen Guillaume Gallienne aynı zamanda kadroda da yer alıyor.
Mrs. Gallienne, a rather temperamental upper middle-class lady, has three children, two of whom she considers as her sons and another she calls Guillaume. Logically indeed, the latter teenage creature does not picture himself as a boy, rather as a girl or at best as a homosexual. But how can a mother act in such an objectionable way? And why? Through a series of painful chain of experiences, Guillaume will discover little by little who he is actually and will manage to break free from her pernicious influence.

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