İlk gösterimi Cannes’da Yönetmenlerin On Beş Günü bölümünde yapılan
Mezara Kadar, sert dövüş sahneleri, kovalamacalar, kara mizah, toplumsal
hiciv ve bir nebze gerçeküstücülüğü esirgemeyen, hınzır bir polisiye
gerilim. Filmin anti-kahramanı, annesinin cenazesinden dönerken kazayla
arabasıyla çarparak birini öldüren dedektif Gun-su. Suçunu örtbas etmek
için Gun-su, öldürdüğü adamı da annesinin tabutuna koyar. Birkaç gün
sonra, emniyet bu kazayı soruşturması için Gun-su’nun ortağını
görevlendirir. Ortağı vakanın ayrıntılarını ortaya çıkardıkça Gun-su’nun
huzursuzluğu da artar. Üzerine üstlük, kazaya tanık olan biri de
Gun-su’yu tehdit etmeye başlamıştır.
Detective Go Geon-soo is having a hard day, and the following events happen to him in less than 24 hours: He receives a divorce notice from his wife. His mother passes away. He and his coworkers are investigated by police inspectors over alleged embezzlement. Then on his way to his mother's funeral, he drives recklessly and commits a fatal hit and run. He tries to cover-up the accident by hiding the man's corpse in his deceased mother's coffin. But someone has been watching all along, and Geon-soo gets a mysterious call from a person claiming that he was the sole witness to the crime, who now begins to threaten him.
Detective Go Geon-soo is having a hard day, and the following events happen to him in less than 24 hours: He receives a divorce notice from his wife. His mother passes away. He and his coworkers are investigated by police inspectors over alleged embezzlement. Then on his way to his mother's funeral, he drives recklessly and commits a fatal hit and run. He tries to cover-up the accident by hiding the man's corpse in his deceased mother's coffin. But someone has been watching all along, and Geon-soo gets a mysterious call from a person claiming that he was the sole witness to the crime, who now begins to threaten him.
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